Danijela Pičuljan
Danijela Pičuljan is a member of the International Academy of Ceramics (IAC), Geneva, the Croatian Freelance Artists' Association (HZSU) and a member of Croatian Association of Artists of Applied Arts (ULUPUH), where she is the president of the Section for Ceramics, Porcelain and Glass from 2014 to 2020. She held twelve solo exhibitions, participated in several international art symposia, numerous international juried exhibitions in Croatia and abroad.
MoreNikolina Rodić Grgac
Nikolina Rodić Grgac started her artistic journey, without realizing that at the time, while working with textile materials in the fashion industry. From tactile textile, Nikolina moved to digital design and worked on mobile and web applications. Leaving transient worlds of fashion and mobile applications, in 2017 she graduated from the “Public open University Zagreb, Ceramics, glass & porcelain art” and started experimenting with clay and porcelain clay combining it with other materials. Nikolina finds her main source of inspiration in nature and lace capturing its fragility in eternal clay. She is led by the thought “The world is in the eyes of the observer”, whatever she creates, it becomes reality only when someone looks at it.
MoreLucija Ečim, curator
The transience of time is hidden among soft human wrinkles, worn threads of old knitwear, or in the traces of fossils hidden in seemingly endless layers of sedimentary rocks.
The artworks of two ceramicists, Danijela Pičuljan and Nikolina Rodić Grgac, inspire us to reflect on such imprints of time, inspired by natural forms and the interrelationship between man, the environment and the continuity of time.
The two artists imprinted their reflections in clay in different, unique ways. With her abstract sculptures, Danijela Pičuljan explores the color, texture and structure of rocks and trees, as well as the dynamics between the organic and inorganic world. In her cubic formations, living forms grow out of regular, geometric shapes, like wiry fig saplings sprouting defiantly from rock crevices. Some sculptures evoke the layering of sedimentary rocks or the rough texture of tree bark, while others resemble pebbles with their compact form. Furthermore, by applying the contrast between the natural surface of the material and the shiny metallic glazes, the artist creates a visual commentary on the impact of man on nature. The glazes, applied with varying intensity, symbolize human intervention—from subtle traces to dramatic changes—inviting us to reflect on our relationship with the environment.
The transformative forces of nature are indicated by the sculptures of Nikolina Rodić Grgac: her pebbles bear witness to the gradual change in the shape of stones caused by rolling in the depths of rivers, seas or streams. The motifs of traditional Croatian lace are carefully engraved on their surface, among which the delicate Hvar lace made of agave thread stands out, a symbol of local cultural heritage and centuries-old skills. Lace, viewed with nostalgia, reflects the influence of cultural heritage on shaping our identity and evokes memories of the times when doilies adorned the coffee tables and nightstands of almost every home. However, the artist also invites us to reflect on the limitations of tradition in the modern world, questioning the imprint of time on it and encouraging dialogue about the complex relationship between heritage and personal autonomy.
The exhibition “Imprints of Time” represents a collaborative project of two artists whose works, although of different forms, complement each other and expand the given theme. It provides a deep insight into the symbiosis between natural elements and human creativity, highlighting the importance of preserving tradition, as well as respecting the natural world.
Around their central, shared installation of biomorphic forms that emphasize the durability, strength and beauty of nature, other works gradually rise from the floor pedestals to higher levels. This vertical progression reflects the exhibition theme and evokes the impression of organic growth, symbolizing the flow of time and the evolution of natural forms.
Faced with the works of these two artists, your thoughts will surely take you to a pebble-covered riverbed, forest full of trees or layered karst that lurks above the shores of the Adriatic Sea.
The exhibition was co-financed by the Ministry of Culture of Croatia.
The exhibition “Imprints of Time” represents a collaborative project of two artists Danijela Pičuljan and Nikolina Rodić Grgac whose works, although of different forms, complement each other and expand the given theme. It provides a deep insight into the symbiosis between natural elements and human creativity, highlighting the importance of preserving tradition, as well as respecting the natural world.
Nature is my greatest source of inspiration; from there I take organic forms and shape them in clay. Also, I like to observe people and their personalities. I am fascinated by the relationship between inner and outer reality; that dualism between content and form. - Danijela
I love freedom of the movement - physical and mental. Circular movement is perfect, unchanging, without a beginning, without an end and as such symbolizes the time in the space. Freedom of movement, relationships between people, and lace are the strong source of my inspiration. - Nikolina!